Sunday, April 19, 2015

Week 14 Prompt

Space and peer concerns both play into the answer of whether or not to separate the fiction section into different genres. If the library is a small space, then having different genre sections may not be feasible.  If the library has sufficient floor space, separating the fiction section into Graphic Novels, Romance, GLBTQ, Teen, Urban Lit may actually encourage people to browse and select books because patrons will go to the location where the literature they like may be found.  Instead of a large blob of books, the books are in smaller clusters and easier to locate read-a-likes.  

In his article on GLBTQ materials, Devon Thomas indicates that the kind of community in which a library is a part does determine whether certain genres will stand alone or not.  If in a socially conservative community, Urban Lit and GLBTQ stand-alone sections may inhibit browsing or reading. The stand-alone sections may also attract the vocal attention of those who do not embrace diverse opportunities for reading experiences.  However, if the community is more open regarding social issues and if the library serves a larger community that utilizes Urban Lit and GLBTQ, then stand-alone sections are the way to go.  

I think clustering genres is a useful way to organize a library for three reasons. First, it breaks up the library into smaller, usable chunks.  It is not a wall of books in shelf after shelf after shelf but visually stand-alone genres look like small islands of respite. I agree with Vicki Novak that there is a “book cart effect.”  She states that library users “commonly gravitate toward any smaller chunk of the collection they can find.” (36) She points out that patrons often gather around carts that have recently returned books or soon to be weeded books, because they are smaller chunks and are manageable for browsing. Walls of books can be intimidating for a patron.

Second, I want people to have many different access points to reading.  Having multiple stand-alone sections is a way for people to enter into literature. One thing will lead to another.  If a person enjoys Barbara Kingsolver’s Flight Behavior the patron may want to read more of Barbara’s work that also includes the non-fiction Animal, Vegetable, Miracle. The patron will use the catalogue or ask the librarian where more of Barbara’s stuff is. If a patron wants to stay with a strong female character fiction piece that deals with environmental concerns, then people will connect with that literature through the stand-alone section. The role of the librarian and the library is to provide reading experiences that patrons want.  If patrons only want to read a certain genre, does that really matter? They are reading. They are creating foot traffic in the library.  That is what is important.

Third, one of Ranganathan’s “laws” is to save the time of the reader.  Organizing reading material by genre can save the time of and eliminate the frustration of the patron when the patron knows exactly what he or she wants.  When a genre is collected together, the selection process of the next book is easier and faster. 

Works Cited:

Trott, Barry, and Vicki Novak. "A House Divided? Two Views on Genre Separation." Reference & User Services Quarterly 46.2 (2006): 33-38. Academic Search Premier. Web. 19 Apr. 2015.

Thomas, Devon. "A Place on the Shelf." Library Journal 132.8 (2007): 40-43. Academic Search Premier. Web. 19 Apr. 2015.

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